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from burningemptiness
from cerebral paisley 1.7 cerebral.paisley@ntlworld.com In Brine Bargain of the century? This cd-r contains all the releases from the first three years of nautically obsessed Leeds electronica label Fencing Flatworm. For your £6 you get MP3s and covers for seventeen full releases and two 7" split EPs, and for a limited time only there's a real 7" single packaged with the release. But what of the quality of these fruits de la mer? Excellent, unlike a lot of homegrown electronic labels, label boss Rob Hayler has always been adamant that every release meets his standards of taste and quality. I wish there was space enough to give each release a full critique, but in the absence of such a luxury, I'll pick out a few of the high points. There are three Midwich albums here - largely slowly moving pieces of electronic drone, lovingly done and with the odd surprise. Highlights are Every Day is the Same, Life Underwater (love the way the music changes depending on where you are in relation to the speakers!) and the creepy nautical atmosphere of Spiderous. Sometime Vibracathedralist Neil Campbell has a couple of amazing releases on here, which are worth the asking price each! Excerpt from the Never Ending Bowed Metal Song sounds like an ethereal alien orchestra tuning up, full of beautiful tones and drones. Pure flotation tank music - I swear I was hovering a foot off the ground by the time this one finally faded out. Neil's Hearing Force of the Humanverse fits nine perfectly formed tracks into 34 minutes - electronics and organics clash head on, synths drone and violins wail before merging into one, bells ring and a broken piano tinkles, recording static becomes part of the universal song. There's even a nice bit of noise in there.Amazing, Diesel Kingdom is the stand out track, reminding me of Helicopter by Sand. Played on broken toys, violin and reeds, Kneale-Monk-Henderson's dark, chaotic Cicada Shrines is a perfect free-form jazz-type accompaniment to reading William S. Burroughs. Another exceptional album is The Cuckoos Sang in their Appropriated Nests by a trio of Neil Campbell, Phil Todd and Bob Lewis. Two very different tracks, one beautiful piece of drone, the other a bit of retrained on feedback and noise. I must also say how much I enjoyed The All New Sounds of Trademark-TM - a definite progression from the other stuff I've heard. Sort of a bit glitchy, but very warm and spacious The track Burnt Oak is truly captivating and even vertiginous! The opiate Ideal For Dreaming has got a quite dark edge, it sounds as though the music was channeled from the edge of sleep. Beautiful. However, there was a lot
on the disc that I didn't get on quite as well with. I'm not really
a fan of music with an explicit beat, although Straight Outta Mongola
was a damn funky, amusing, maybe even kitsch listen! The bizarre electro-pop
of Baby Drives a Spaceship is a perfect antidote to "electroclash"!
I'd really like to write more, but if you're a fan of experimental music
or just curious, I urge you to but a copy, you can't really loose -
there's so much variety on here that I'm sure you'll find something
that grabs your attention. Really excellent, and kudos to ffr for taking
the decision to release their catalog in this format. PL. |
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