STRAIGHT
OUTTA MONGOLIA - S.O.M. (Fencing Flatworm; England)
Odd, appealing "outsider pop" with a heavy dose of mutant basement
hiphop
exotica. Outta-kilter kinda-songs constructed with what sounds like casio
keyboard, synth, real piano (?), beatbox, turntable, maye
some live percussion, and "sampling" of some sort. Nifty fresh
keen. Eddie Flowers at www.slippytown.com
Straight Outta Mongolia -
S.O.M.
Straight Outta Mongolia
go for the pieces with beats and brevity and I'm feeling pretty smugly
CLEVER right now cos to my luggers this music is v v v v similar to
Like A Tim - that feeling that here is someone who is not quite in complete
control of the dancey machinery - brilliantly sloppy and imperfect -
god, there's even some singing on it. From DDDD fanzine, Marleys, Minstead,
Hants, S043 7FY (no web or email)
Straight Outta Mongolia:
S.O.M.
This is crazy. Really!
All the songs seem fucked in the most disturbing way, and it's great.
It starts off sounding quite nice mydonna2 has a nice sunny guitar/organ
tune played over a hip hop style beat and fat bass line, there just
seems to be that sense that something is a little bit wrong, like those
early episodes of twin peaks. Boom boom boom sounds like an electronic
joy division (but nothing like new order.) to start off with and then
starts bringing in the nasty whining high pitched noises before breaking
into a sample (I presume) of a nursery rhyme that I can't remember the
name of played on acoustic guitar and string quartet and back again.
A Casio keyboard comes in with the funky drummer beat on out of tune
while a load of keyboard chat amongst them. Baby drove a spaceship (2)
is the most fucking spasticated pop classic you'll hear ever. Double
tracked vocals off key from themselves, the main refrain played on toy
piano and a broken gordon the gopher squeaky puppet all of which are
completely out of sync with each other, a sad tale of interplanetary
longing, making this the 'calling occupants of interplanetary craft'
of the 21st century. Llpp also sounds like it should be played on a
spaceship, it's got that epic sense of motion that was always on the
soundtrack to those space movies that were made in the 70s but you saw
on t.v. on a Saturday afternoon sometime in the mid 80s when you were
just a little nipper. That's if those things had been recorded from
a broken little computer onto a four track. Lumbago is really sinister,
all the more for the innocuous sounding vocal 'what is that lipstick
you're wearing it's the colour of slugs' the time signature changes,
the oompah like riff (possibly lifted from henry's cat?) and the evil
sounding church organ swells make this creepy. From Is. #1 (18 Kelsall
Grove, Leeds, LS6 1QY, UK,)
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